Kolmapäev 19. november
15:00 - 19:00 / Wednesday, November 19 at 15:00 - 19:00
Osalejate arv piiratud
(maks. 25), vajalik eelregistreerumine: contact@extrajessica.com
Number
of participants limited (max 25), entrance only with
pre-registration:
contact@extrajessica.com
Kõik teavad, mis on mask
ja mida sellega tehakse, igaüks on maski proovinud. Kuid mitte igaüks ei tea,
kuidas teha iseenda „lisanägu” ja kuidas tunduks sellega esineda. Maskitegemise
töötoas kutsub Rytis Saladzius osalejaid iseendale maski looma. Rytise põhjalik
praktiline ja teoreetiline uurimus käsitleb maski kui performance'i ja isiksuse eneseteostuse peamist elementi. See
töötuba on kohustuslik kõigile, kes on huvitatud etenduskunstist või iseendast.
Eelnev kokkupuude kunsti,
käsitöö ega performance'iga ei ole
vajalik, sobib kõigile vanusegruppidele. Osalemine on tasuta ja tulemuse võib
endale jätta!
Mulle pakub huvi, kuidas kõik omavahel seotud on: mask ja
kõik selle ümber, kuidas mõjutab mask teda ümbritsevat õhustikku, kuidas
sellega harmoneerub. Tänapäeval kasutatakse maski enamasti praktilistel
eesmärkidel, nagu gaasimaskina, pisargaasi kaitsemaskina või ehitajate
tolmumaskina. Isegi kui maski kasutatakse praktilisel eesmärgil (kriminaalne,
meditsiiniline, äriline), on sel ikka etenduslik varjund. Millist maski soovib
tänapäeva inimene kanda?
Minu jaoks on mask alati seotud transtsendentsiga, mitte
ainult selle tõttu, mis on maski taga, vaid ka seoses tema kandjaga, ning
oluline on lisaks ka mask ise. Kasutatagu teda rituaalides, religioonis,
pööripäeva pidustustel, etendustes... Mind huvitab enim mask uurimisvaldkonnana
- kuidas käitub inimene maski kandes. Eelmistes maskitegemise töötubades olen
näinud arhetüüpide ilmsikstulekut ja aja kokkusulamist inimese tekkest algusest
peale kuni praeguseni. Teisisõnu - maskide puhul aega ei eksisteeri.
Töötoa jooksul huvitab mind väga see, kuidas osalejad
(eriti lapsed) oma maski ette kujutavad, kuidas sellega suhestuvad, kuidas
arvestavad mastaape ja valivad maski viimistlemiseks värve.
(Rytis Saladžius)
Rytis Saladžius (s. 1972) on kunstnik ja näitleja, kes elab
Leedus, Vilniuses. Ta õppis lavastamist Leedu muusika- ja teatriakadeemias ning
1994. aastast on ta töötanud mitmes Leedu teatris näitlejana ja osalenud
paljudes lavastustes. Rytise kunstilooming on etendusliku iseloomuga, kus tema
roll kunstnikuna seguneb tihti käsiloleva projektiga. Ta on erinevatel viisidel
osalenud rahvusvahelistel ja Leedu näitustel, sh Mindaugase triennaalil
Vilniuses (2012), „If It's Part Broke, Half Fix It“ Vilniuse kaasaegse kunsti
keskuses, „oO” Leedu-Küprose paviljonis Veneetsia biennaalil (2013), Manifesta
8-l (2010).
---
Everyone
knows what a mask is and what it does, everyone has tried to wear a mask. But
not everyone knows how to make their own “added face” and what it would mean to
perform with it. In the Mask-Making workshop Rytis Saladžius invites the
participants to create their own mask. Rytis’s extensive practical and
theoretical research addresses the mask as a fundamental element in performance
and self-performance of the individual. This workshop is compulsory for anyone
interested in performance or in themselves.
Previous
experience
with art, craft or performance is not required, open to all age groups.
Participation is free and you may keep the mask!
For me it is important how everything is
related: the mask and everything around it, how the mask affects its
surrounding atmosphere, how it resonances with it. Nowadays the mask is used in
various aspects, usually for practical purposes, for example gas-helmets,
tear-gas protection or builder’s masks. Even when used for practical (criminal,
medical, financial) purposes the mask always carries a performative connotation
with it. What kind of mask does the contemporary person want to wear?
For me mask is always related with
transcendence, not only what lies behind the mask, or who wears it, it is also
about the mask by itself. Whether used for a ritual, for religion, for equinox
celebrations, for performances… I’m interested most of all in the mask as a
field of study, how the human behaves when he or she is wearing it. In the
previous mask-making workshop I have seen how the archetypes unfolded and
melted time from the emergence of the human from the beginning till now. In the
other words this means that when it comes to masks - time does not exist.
Once in the workshop I am curious how
participants (especially children) imagine the mask, how they relate themselves
with it, how they use measures and choose colors to paint it.
(Rytis
Saladžius)
Rytis Saladžius (b. 1972) is an artist and actor living and
working in Vilnius, Lithuania. He has studied theatre directing at the Lithuanian
Music and Theatre Academy and worked as an actor for a number of theatre plays
in various Lithuanian theatres since 1994. Rytis’s artistic productions have a
performative nature, his role as an artist often blending or changing with the
project at hand. He has been variously present at a number of international and
Lithuanian exhibitions, including The Mindaugas Triennale in Vilnius (2012), „If
It's Part Broke, Half Fix It“ at Contemporary Art Centre (CAC) in Vilnius, “oO”
Lithuania-Cyprus Pavillion at the Venice Biennale (2013), Manifesta 8 (2010).
photo: Robertas Narkus
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